“Glitchscapes” is a series of paintings on the border between representation and abstraction, the result of digital manipulations of images initiated as painting. Using the degradation of digital files and the noise generated by this procedure, the “glitch” layers (failure ou defect) are accumulated, yet intact parts of the original image still survive. The result refers to landscapes and aims to question current ways of looking at “nature” as well as the validity of knowledge storage and representation systems.